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Review by Leonard Radic
Review by Barry Oakley
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“A Stretch of the Imagination”, a one character play by Jack Hibberd, has been staged many times in many places with different actors in the lead. It has become an Australian classic.
In 1976, when staged in the back theatre of the Pram Factory, the character of Monk O’Neill was played by Max Gillies (directed by Paul Hampton); and the play and performance received rave reviews. Copies of three of those reviews appear below. (The play, with the same actor and director, was staged again at the Pram Factory – this time in the front theatre – in Aug/Sept 1977.)
Neil Jillet described the play as “probably the most beautiful Australian play ever written”; Bob Crimeen said “Hibberd’s masterpiece of hallucinations and shattered dreams gives Gillies the chance to prove his mettle in tragic-comedy”; and a writer for the Sunday Press said “This study of a singular man is Australian writer Jack Hibberd at his best …. Max Gillies as Monk O’Neil, is brilliant and gives Melbourne … the performance of the year”.
(“A Stretch of the Imagination” was first performed at the Pram Factory in 1972, with Peter Cummins as Monk O’Neill, directed by Jack Hibberd.)
Continue readingThe Australian Performing Group staged “Phar Lap – it’s Cingalese for lightning, y’know”, written by Steve Mastare) (aka Stephen Mastare, Stephanie Mastare and Ess Mastare), at the Pram Factory theatre in March and April 1977.
Director: Paul Hampton. Cast: Susy Potter, Claire Dobbin, Phil Motherwell, Alison Richards, Wilfred Last, Greig Pickhaver. Design: Micky Allen, Carol Porter. Lighting: Ian McKenzie. Original Music: Andrew Bell. Poster: Bob Daly. Props :Ursula Harrison. Costume: Freda Rowed. Sound Operator: Margot Nash.
Below is a copy of “Turf Notes”, a publicity brochure for the programme.
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Posted in Alternative theatre, APG, Australian Performing Group, Australian theatre, Live theatre, Pram Factory Theatre, Theatre History
Tagged 1977, Alison Richards, APG, Australian Performing Group, Bob Daly, Cingalese, Claire Dobbin, Greig Pickhaver, Paul Hampton, Phar Lap, Phil Motherwell, Pram Factory, Stephen Mastare, Susy Potter, turf notes, Wilfred Last
It’s fair to say that Melbourne theatre critics, Leonard Radic and Neil Jillet, did not like the APG’s “Smack in the Dacks”. Below are copies of their reviews: Leonard Radic in The Age (Nov ’77) and Neil Jillett in The Herald (21/11/77).
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